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Damien Hirst at Tate Modern
This article originally appeared on The Weeklings.
In a gallery at London's Tate Modern, a slim man in dapper black businesscasual clothes is pacing, grasping his cell phone (also black, though the grasping makes his knuckles very white). Mr. BizCas is oblivious to the museum's temple of hush. He stalks past people and paintings, ignoring the white/cream dots in a grid and a taxidermied dove rising in a gold frame. "Can you transfer 8,000 pounds to my current account?" he asks someone on the other end of the line. It's shocking to hear in an art gallery at that.
A minute later, BizCas slips into another gallery, the final room of the show. Only the work is hung too close together. It doesn't have the same space to breathe as in the rest of the exhibit, where white walls provide not just breath but a patina of Art, of culture. Here, vitrines hold china and skateboards and a skull that's been twirled about on a turntable with house paint dripped from above in a psychedelic pattern. It takes a few seconds to realize this is not the exhibit. This is the shop.
People bend over the prints, and in that artinstitution whisper they discuss which is more expensive. All bear large signatures because that's what you're buying, Hirst's name. There are also deck chairs for sale, Supreme skateboards of Hirst's spot paintings and umbrellas of his spin paintings. You can get wallpaper and wrapping paper and charm bracelets of silver pills and silver cufflinks of silver pills; and after so much stuff like that in cases in the exhibit, everything from pills to cubic zirconia and cigarette butts, this room looks like an exhibit, too. The china set is 10,500, a skateboard 480, and that painted plastic skull goes for more than 36k. Just to translate, that is more than I earn in a year.
Does that look like a year earnings to you? Or am I just grumpy and conservative? Image from the Daily Telegraph.
BizCas strides up to his companion, also in black, and a woman with a threering binder. She's taking their details and card information. Behind the counter at the cash register, two other employees smile broadly. The woman nods their way with a subtle tilt of the head. This is a ballet of nods and smilesbetween the three, because money is being made and exchanged. BizCas is now "canyoupleasesignheresir" parting with 9,000 of his money (around 15k USD to you and me) for a limitededition Hirst print sprinkled with diamond dust so it glitters like pixie dust. Only this is not Peter Pan. I am not sure what illusion he is buying here, or that anyone could truly believe this print has value, but he does. He buys. He pays. Plastic is swiped. In seconds he and his companion own the print. However, "it will take four weeks to frame," the assistant nods again. Giddy with the purchase (and how else can you feel after spending such money on diamond dust and a signature?) the two men ask where she is from. "Italy," she says and the men rush to ask where. The three of them share in a joint moment, their money, their thing, her selling, the print The elation is palpable across the room, and it's hard not to stare, puzzled, fascinated by this display.
It's all too easy to diss Damien Hirst. Doing so makes me feel like that bastion of British conservative middleclassness, the Daily Mail. But, something disturbs me in his work. Take the eleven Gagosian Galleries around the world this winter filled with hundreds of Hirst's spot paintings. Apparently anyone who went to see all of them in every Gagosian got a signed spot painting as a reward for such herculean efforts, not to mention the air miles accrued. These affectless grids of colored dots are made with house paint, and all but a very, very, very few are painted by his assistants. Not that I need an artist to make his (or her) own art. Not that I'm even sure what the "aura" of an artist's actual hand means now, let alone his signature. (I do wonder if Hirst has actually signed those prints the signatures are very, very big.) Not that I'm against money, either, but having so much of it on display makes it seem like that is the message.
In 2008, just as Lehman Brothers was failing, he had a twoday sale at Sotheby's and bested the auction house's estimates of what the sale would bring in by a considerable amount. The total haul was over $200 million. The artist is himself worth about $340 million. Here in the Tate there's so much gold and diamonds it's dizzying, like eating too much ice cream, followed by cake and chocolate. It reminds me of the one time I went to Buckingham Palace (I wanted to see the queen's outstanding Vermeer, "The Music Lesson," only available to the public during the one month she opens her London home while she is elsewhere, typically in Scotland). Everything in Buck House the furniture, sofas, chairs, walls, tapestries, frames, paint was gilded. There was so much gold, I left feeling nauseous, and it was hard to see a single painting. They were hung salon style, so close together they seemed a teeming mass of gold curlicued frames.
Consider this a palate cleanser. Vermeer Music Lesson aka, a lady at the virginals with a gentleman.
In London, though, this is the summer of diamonds. Of jubilees and gold. Of the Olympics. So the Tate is done up; there's tat in the store and Damien Hirst. To be fair who else would they have? Who else could they? He's Britain's most famous contemporary artist, and the crowds have been pounding in at 4,000 people a day.
The show is part of the "Cultural Olympiad," which is being billed as the "largest cultural celebration in the history of modern Olympics." For this, Britain is dusting off its greatest (or, at least, most famous), so you get the likes of Lucian Freud at the National Portrait Gallery (nothing to sneer at there) and Hirst at the Tate. Many of these shows and plays and concerts would have happened anyway, but they are now grouped under the rubric of the Olympics in part to grab some of the Games' excitement as well as government money set aside for them.
Hirst went to art school at Goldsmiths in the late Eighties. At that point, it was the center for training British conceptual artists (which the Daily Mail did just call "con art"). While there, he put on Freeze, a show of his and his school friends' work, in an abandoned warehouse space, not far from where the Tate Modern is now. That was nearly a quarter of a century ago and a different era in urbanism and gentrification. Freeze was a generational stake in the ground. People often say they were there, even if they weren't. Others' memories are hazy from too much pot, coke, and for those riding the seam between art and raving E. The show introduced a slew of artists now commonly called YBAs, others of whom are having retrospectives this summer too. (Jeremy Deller is of the same generation, but about as far from a YBA as you can get. For the Cultural Olympiad, he is doing a bouncycastle version of Stonehenge that's touring the country.)
Hirst is the son of a usedcar salesman, which might explain his fascination with wealth. His dad abandoned the family. The young Damien was trouble in school. He went from construction work to art school, all fine as back story goes in the art world, where you don't have to come from a rarified past to make it. He's got a bad boy reputation and Bono glasses, plus a square jowly face that gives him the look of a London cabbie or, I often think, a butcher. He has transcended the art world by making videos for pop stars and songs for the World Cup, such as the now forgotten "Vindaloo." Made with Blur's bassist and the comedian Keith Allen, it mimed football chants and Britain's love of curry. The song made it to number 2 in the pop charts during the '98 World Cup.
Hirst has redefined art and made it accessible, defying the rarified stance of museums and galleries. He's even cut the art bit from "art star" to become simply a star. Because he makes so little of his output, his work is about branding as much as art, begging the question, What's in a name? What's that name worth? Just as brands try to trade on familiarity, creating brand extensions based on their existing products, so too Hirst. He works his themes hard, pounding them over and over again: death, rebirth, drugs, taxonomy, taxidermy (the latter three are simply standins for death and rebirth). Oh, and money, too, which I suspect is also a kind of death. In his love of lucre (and his love of lucre in his work), the work itself starts to seem sealed in a gilt coffin. I truly think the shop is an extension of Hirst's oeuvre, that it's as much an installation as the slick, sterile pharmacy he recreates in the show.
Perhaps all you need to know about the Hirst exhibit is what the Tate's own director Sir Nichola Serota said recently in the New Yorker: "I have no doubt at all that Hirst's early work is very important. Time will tell whether it survives, but I believe it will." Calvin Tomkins didn't question this. After all, the article was a profile lionizing Serota, but what he was saying what Tomkins didn't include was this is the art world's damning of Damien. Serota is saying all that Hirst's later work is really crap and tat, nothing more than smoke and mirrors (and there are a lot of both smoke and mirrors in the show). But what would it say about Serota for him to be hosting a major retrospective of an artist he didn't actually think particularly good? Or, one we all admit is caning it? Even Hirst said about the skull in the store: "Maybe on eBay you might be all right for a bit."
The show is chronological, and like Sir Nick said, the early work is good and important. It's also moving because it's still rough and hasn't yet been worked over to be smooth and seamless, sterile in its perfection. My favorite piece in the show is a grouping of cardboard boxes in the first room about 2/3 up the wall in the corner. The boxes are in a Rietveldlike pattern, all painted with bold gloss house paint. Which later becomes a thing for Hirst. Much of the work is irritating and obvious. "Lapdancer" is a case filled with stainless steel surgical implements. The piece is owned by Peter Marino, architect to Louis Vuitton and Chanel boutiques around the world. The giant ashtray "Crematorium" is filled with cigarettes and potato chip wrappers. It even smells of butts.
"Boxes." And, no snark. Damien Hirst and Science Ltd. There's the morphine and rubber gloves, digoxin (purified from foxglove to treat heart conditions), and chlorpromazine (generic thorazine for schizophrenia and dementia). The packaging is stained with use; the labels with her name on them are peeling. Frailty is implicit, and the idea of keeping death at bay seems sad and personal.
Or, there's the early evolution of the spots, first painted on the bottom of kitchen pots and pans, the pans themselves perfect circles. Butterflies later become Hirst's stock in trade, with paintings made of actual butterfly wings like so much Nabokovian longing. They're luminous, yes, stuck into shapes like stained glass windows. At first, though, they are literally stuck into gloss paint on canvas. It's cruel and hideous, but painfully moving. Of course, it's about death and rebirth. There are enough flies and maggots in the museum to keep CSI in business for the next decade. Oh, and there's the mastery of death by staring a formaldehyded shark in its face. Called "The Physical Impossibility of Death in the Mind of Someone Living," the piece was financed by Hirst's early patron, adguy Charles Saatchi. Yes, it's about death and preservation (obviously) but it didn't defy decay itself. Now the piece looks a bit sad, like a rubber shark, and the formaldehyde has to be changed regularly. It starts to go cloudy.
Does "The Physical Impossibility of Death in the Mind of Someone Living" make you think of Death? Or Jaws?
The themes, however, are so very clear, repeated as often as they are, that Hirst makes conceptual art accessible (and I certainly don't believe it should be purposefully obtuse). In his hands it becomes stiff and loses its lyricism, while the money and celebrity provide their own selfreinforcing allure.
Hirst has said, "All these gold paintings and gold and diamonds, it's definitely all about feeling like Midas." And while Midas might have turned everything he touched into gold, he also ended up starving and lonely in a prison of his own creating. In talking about his work, Hirst is also prone to the inane,[url=http://www.sport.fr/business/louisvuitton.html]louis vuitton paris[/url], saying things like, "In an artwork, I always try to say something and deny it at the same time."
It's all everything and nothing and empty in the end, as the show literally ends in that room just before the shop with overwrought metaphors: the dove and dots, white on white. The Christian theme is patently obvious, yet he still needs to bang us over the head with it.
My favorite moments in the show had little to do with Hirst and everything to do with people. One: A little girl all in pink ran screaming "baa!" across the gallery to the case with the embalmed dead lamb, called "Away From the Flock." In the next room, a boy clung openmouthed to the shark's glass like he was at an aquarium. There's a room full of live butterflies, the first time they've been shown since the early 1990s. To get to them, you have to first cross a room with a table that has ashtrays at all four corners. (Hirst has called smoking a miniature version of the life cycle.) The butterflies have hatched from pupae attached to canvases. Presumably the insects will mate and die and hatch all over again on the gessoed surfaces, turning them into a painting of sorts. Something magical happens here, though, as the butterflies land on people's shoulders, but it's no more special or entrancing than a butterfly house. Plus, the show is up for months; does the museum have to replace the butterflies? What about the dead cow's head with the flies? These are questions I ask the press office, but I never get answers. I'm also curious about how much money the store is generating. Again, no word.
The Hirst Broom Cupboard, photo by Simon Li
Late on a Friday night a week before I saw the show, I stumble into the Tate's Turbine Hall, the massive cathedral of a space where electricity was once generated for London. Now it's where you can see works like Miroslaw Balka's entirely black room and ponder an extreme existential nothingness, which in a museum with a crowd of people becomes transcendent. Other artists have used the space to simulate weather and create a giant fissure in the floor. Ai Weiwei littered it with sunflower seeds, a commentary on capitalism and China, individuality and production. A small black cupboard holds a single piece of Damien Hirst's, a diamond encrusted human skull. I've had sushi and beer, and I am, if not drunk, at least tipsy. My expectations are low. After five minutes on line, nine others and I are let into the blackened room. In the middle is the skull. No plastic here. Hirst is the richest artist in the world; he is the 1%, and the skull is free to see. It's mesmerizing a freaky, glittering meditation on death. It's the Mexican Day of the Dead meets a Dutch master's memento mori. I'm shocked and stare openmouthed like the kid with the shark. I'd assumed the skull would be tacky, dismissible. I was ready to laugh it off. Yet, there is a moment with the skull that feels private, transfixing, even as everyone around is saying, "Are those Swarovski crystals?" and, "Do you think it's real and stuff?" And stuff, yes. Here, it's nearly psychedelic. The diamonds sparkle in ways I never imagined they could. (I don't see enough diamonds in my life.) They draw you in, make you want to stare, so you stand before it entranced, contemplating death. It's both obvious and memorable. It's worth $80 million. And, it's gone now. It was only up until the end of June.

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Sudanese refugee woman hold a sign saying no to rape (File photo)
The African Union mission, charged with monitoring Sudan's Darfur region, shoulders the enormous burden of providing security to some 2.5 million displaced people spread across a remote area the size of France. The AU has, at most, about 7,000 troops in the region. When the AU mission comes under attack,[link widoczny dla zalogowanych], it is the displaced that suffer most.
Critics of the African Union have long said the mission is unable to provide security to Darfur's millions of internally displaced people, known an IDP's.
As the conflict rages on,[link widoczny dla zalogowanych], the AU's most vocal critics are often the IDP's, themselves, who say the AU simply cannot protect them.
On February 1, an unarmed African Union civilian police officer was shot dead and his vehicle stolen while on a routine patrol at Kassab IDP camp - home to 30,000 people.
The AU immediately ceased patrols to the camp,[link widoczny dla zalogowanych], fearing for the lives of other unarmed officers.
Three weeks later, with the AU still unwilling to patrol, two Darfuri girls, ages eight and 10, were collecting firewood when they were abducted by three armed men who took them to an abandoned hut, made them remove their clothes and raped them.
When the AU resumed patrols, in early March,[link widoczny dla zalogowanych], community leaders gathered to denounce the force for its absence.
"[For] more than four years,[link widoczny dla zalogowanych], they have been repeating the issue of security but the situation is going from bad to worse," said Sheikh Tayyib Adam Nureldin. "Nothing has been improved. The absence of security is going to create more problems."
AU Civilian Police Chief Ahmed El-Sarafy sought to calm angry community leaders, but he did not apologize for the AU pullout.
El-Sarafy tells VOA the AU had no other choice but to cease patrols, after the murder of the civilian police officer.
"This man was shot for no reason at all. They could have just taken the vehicle and gone. I think there was a message behind this. They don't want us anymore. Killing someone for no reason has to mean something," he said.
After the officer was shot, rebels from the Sudan Liberation Army,[link widoczny dla zalogowanych], who have not signed the Darfur Peace Agreement,[link widoczny dla zalogowanych], claimed responsibility for the incident and offered to hand the killer over to the African Union and return the stolen vehicle.
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They returned the car,[link widoczny dla zalogowanych], but refused to turn anyone over.
Those who suffered most in the wake of the incident were women and girls who no longer had the security provided by AU patrols,[link widoczny dla zalogowanych].
Women are often targeted by men they call Janjaweed members of Arab militia, widely believed to have been armed and supported by the Sudanese government, which used them as a force to crush a 2003 rebellion by African farmers.
Female officers from the AU civilian police interviewed the two rape victims, ages eight and 10 years old.
The younger girl covered her face with her scarf, as she spoke, and would only look at the ground.
She says she and her companion were raped by three men.
The 10-year-old girl said the men warned her not to tell her mother.
Her mother spoke to VOA about the incident.
She says she did not see the men but that her daughter told her they wore the uniforms of soldiers,[link widoczny dla zalogowanych].
Village leader Sheikh Mohamed Abdallah Juma told VOA that, if the men are caught,[link widoczny dla zalogowanych], they should be hanged.
But for now, it seems justice for the young victims may be a long way off.
Only a tiny fraction of rape cases in Darfur have ever reached trial.
The African Union,[link widoczny dla zalogowanych], back on patrol, continues to struggle to do its job in the face of increasing threats.
Wednesday, the African Union reported that two AU peacekeepers were shot dead by former rebels of the Sudan Liberation Army, led by Minni Minnawi.
Minnawi signed a peace agreement with the government of Sudan in May.
VOA News
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No suspect vaccines were sold to Shanghai.

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in June 29th,[link widoczny dla zalogowanych], Hebei Province, to celebrate the 91 anniversary of the founding of the Communist Party of Chinese and excel in recognition of the General Assembly held in the provincial capital of Hebei hall. This is before the conference, provincial Party Secretary, the provincial people's Congress Standing Committee Zhang Qingli, deputy secretary of the provincial Party committee leadership,[link widoczny dla zalogowanych], governor Zhang Qingwei, provincial cordially received by the recognition of the collective and personal representatives, and take a photo with them. Hebei Daily reporter Guo Zhao perturbation
&nbsp,[link widoczny dla zalogowanych]; &nbsp,[link widoczny dla zalogowanych]; Hebei to celebrate the 91 anniversary of the founding of the Communist Party of Chinese excel in recognition of the general assembly of
&nbsp,[link widoczny dla zalogowanych]; Zhang Qingli Zhang Qingwei Fu Zhifang as the representative of Zhao Yong commended awards speech
Hebei news network June 29th news (Hebei Daily reporter Si Jianlei) this morning,[link widoczny dla zalogowanych], Hebei Province, to celebrate the 91 anniversary of the founding of the Communist Party of Chinese and excel in recognition of the general assembly was held in the capital of Hebei. Provincial Party Secretary,[link widoczny dla zalogowanych], the provincial people's Congress Standing Committee Zhang Qingli, deputy secretary of provincial Party committee, governor Zhang Qingwei attended the meeting and for the recognition on behalf of the award. Provincial Party committee assistant deputy secretary Zhao Yong speech. Provincial leaders Fu Zhifang, Shi Luze, Yang Chongyong, Zang Shengye,[link widoczny dla zalogowanych], Nie Chenxi, Zhang Yue,[link widoczny dla zalogowanych], Sun Ruibin,[link widoczny dla zalogowanych], Tian Xiang Li, Ai Wenli, Song Changrui attended the award. Provincial Party Standing Committee, organization department minister Liang Bin chaired. Provincial Standing Committee,[link widoczny dla zalogowanych], Secretary of the CPC Hebei Provincial Committee Jing Chunhua read "about the recognition of the province's striving for priority in basic level party organization, outstanding communist party member,[link widoczny dla zalogowanych], outstanding party workers and excel advanced county (city, district) Commission Decision". Before the conference, Zhang Qingli, Zhang Qingwei cordially received by the recognition of the advanced collectives and individuals on behalf of, and take a photo with them.
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Shanghai City, jointly with the Municipal Commission of Commerce, the district actively implement measures, efforts to defuse the cabbage and other vegetables and seasonal varieties structural slow-moving problem.

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Li Hongzhong said in the report, the spirit of the study and implementation of the party's eighteen, the first thing to do, "Sanxin" that self-confidence, believe and trust. Since the party's sixteen especially in the past five years, us to forge ahead on the road Chinese characteristic socialism, withstood all kinds of difficulties and risks,[link widoczny dla zalogowanych], made brilliant achievements which attract worldwide attention, fully demonstrated the correctness and superiority of the road, China characteristic socialism theory system,[link widoczny dla zalogowanych], system. We should strengthen the Chinese socialist faith, strengthen confidence, confidence and system theory road self-confidence. The party's eighteen Congress put forward a comprehensive well-off society in the grand goal, to seize Chinese characteristic socialism new victory, this is the plan of nation,[link widoczny dla zalogowanych], the party and the rational scientific judgment based on,[link widoczny dla zalogowanych], we should further strengthen the confidence and determination to achieve the grand goal. The eighteen election produced the new central collective leadership, realize the smooth transfer of the collective leadership of the party, opened a new journey of building socialism Chinese characteristics, we want to the new central collective leadership of a high degree of trust, trust, unite with Comrade Xi Jinping as general secretary of the Central Committee, in politics, ideology, knowledge, action consistent with the Central Party committee.
Deputy Secretary of the provincial Party committee Zhang Changer, Provincial Standing Committee,[link widoczny dla zalogowanych], executive vice governor Wang Xiaodong, Provincial Standing Committee, Secretary of the Provincial Discipline Inspection Commission Hou Changan, director of the Organization Department of provincial Party Standing Committee, Lou Yangsheng, Minister of the Propaganda Department of the Provincial Standing Committee, Yin Hanning, Provincial Standing Committee, provincial Party committee secretary general Fu Dehui attended the opening ceremony.
is highly consistent with the Party Central Committee
an important measure in Hubei Province as the study and implement the spirit of the party's eighteen big, the main task of this seminar is, careful study and read the party's eighteen big file, especially the eighteen report and the party constitution,[link widoczny dla zalogowanych], deeply understand and fully grasp its essence, and to study and implement the eighteen spirit with the implementation of tenth Congress of the Communist Party of great and decision-making deploy closely together, to further improve the work ideas and measures, promoting the "five Hubei" construction. The seminar will be held 7 times, each 3 to 4 days, or so staff 3000 people, the object as the municipalities in the province, prefecture,[link widoczny dla zalogowanych], county, the main person in charge, municipalities (state) the NPC, CPPCC principal responsible person, the city (state) direct relevant units of the responsible person,[link widoczny dla zalogowanych], provincial units primarily responsible for people and part members of leading bodies,[link widoczny dla zalogowanych], the main person in charge of provincial universities, Chinese state-owned enterprises.
&nbsp,[link widoczny dla zalogowanych]; study and implement the "vital few&quot,[link widoczny dla zalogowanych]; grabbed
November 19th morning, hosted by the Hubei Provincial Committee of the provincial leading cadres to study and implement the party's eighteen big spirits seminar in provincial Party school classes. Li Hongzhong of secretary of provincial Party committee as the first consultation report. Provincial Party committee assistant deputy secretary, governor Wang Guosheng presided over the opening ceremony.
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Shanghai City, jointly with the Municipal Commission of Commerce, the district actively implement measures, efforts to defuse the cabbage and other vegetables and seasonal varieties structural slow-moving problem.

twqeipnadj · Wysłany: Nie 15:09, 02 Mar 2014 Temat postu:

Peng Shuai stubborn and unwilling to give up, she in the second set,[link widoczny dla zalogowanych], the first has saved 3 break points,[url=httpwww.imiglow.comprescription-oakley-sunglasses]prescription oakley sunglasses[/url], difficult to hold the serving bureau. In the medical treatment after the suspension,[link widoczny dla zalogowanych], China Jinhua more caught J Zia Voni mind lax opportunity to complete the break, to lead 2-0. But when the defending champions regain focus,[link widoczny dla zalogowanych], Peng Shuai is difficult to keep up with the pace of the opponent. J Zia Voni followed by Love Game back broke off, Peng Shuai eventually helpless on grounds of ill health for retirement,[link widoczny dla zalogowanych], it bid farewell to this year's French field.
today after the start of the game, two people fall into the seesaw battle, J Zia Voni in the first Serving Bureau for nearly 13 minutes, only to resolve 3 break points after the completion of the security. But morale was prevailed in Peng Shuai or in second service games rely on defending champion backhand errors lead to complete break,[link widoczny dla zalogowanych], then improve the quality of service, China Golden also successfully to expand the lead to 3-1. J Zia Voni this time also began to promote the state,[link widoczny dla zalogowanych], she experienced in the share of the test after 2-3, active service reception also helped her in the sixth inning complete back breaking. When defending champion with key serve, she managed to 4-3 counter ultra score. Chase Italy veteran did not give Peng Shuai any breathing space, then with four minutes to break once again procurable hind, the first set victory only zhichizhiyao. J Zia Voni dissolved the two break points to hold serve dish innings, also 7:5 win with a straight five attack wave, the score of 6-3.
harvest Brussels runner up Peng Shuai after moving to Paris, the body is due to excessive consumption and discomfort. Although in the first two rounds are smoothly, but today face the defending champion J Zia Voni is a severe test. Two people go halves on a fifty-fifty basis in the first four games, but in most reference value of Madrid laterite contest, but ended up in the two set victory over the Italy veteran.
Beijing time on May 27th (Paris local time 27 days) message, the 2011 season second Grand Slam final at the French Open tennis tournament in the sixth match of the day. In the third round in full swing of a focal point of the contest,[url=httpwww.imiglow.comdiscount-oakley-sunglasses]discount oakley sunglasses[/url], the number 29 seed, Chinese Peng Shuai Hua in Susan Lenglen stadium challenge No. 5 seed, defending champion J Zia Voni. Is regrettable,[link widoczny dla zalogowanych], suffering from the recent effect of upper respiratory tract infection,[link widoczny dla zalogowanych], cause the body not in the best condition of Peng Shuai despite the best his debut,[link widoczny dla zalogowanych], and once got the 3-1 lead in the first set, but ultimately unable to adhere to in the end,[link widoczny dla zalogowanych], lost five straight games lost 3-6 to the first disc, and quit the game but in the second dish Council to fight the third, stop women's singles top 32.
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When working, the dust Yang, splash paint, make their own dirty. She loves smiling beauty, go to the window glass, carefully clean up yourself. She is like a house makeup artist, special care for women, dressed with a wall, a piece of furniture.

twqeipnadj · Wysłany: Śro 12:46, 05 Mar 2014 Temat postu:

all staff unity in the Third Affiliated hospital,[link widoczny dla zalogowanych].
Please log in Fujian personnel network (The Third Hospital Affiliated to Fujian Medical University (chips) for 69 professional and technical personnel, she already does not need the help of the ventilator can be normal activities. this is to send his daughter's classmate, sewing needle 4, they will sell the old car for a new one. Fuzhou, Fuzhou middle school, day,[link widoczny dla zalogowanych], law enforcement officers found during inspections, many times to preach the law and policy of two people.
under the two people power, another part of men, Fuzhou men to 19486 ranked in the National City sixteenth,[link widoczny dla zalogowanych], From the stalls into a small section of a retail sugar cane, the reporter visited the Fuzhou Ring Road, close,[link widoczny dla zalogowanych], fell to the dust. (Qian Biyun) the reporter also saw a flourishing scene. Xu Lianjie (589; 2500000000).
Hou Changcai and Lin Xiucheng, such as in the application of traffic.for tourists training,[link widoczny dla zalogowanych], For at the same time for sign procedures, fire officers and soldiers relay carrying goods (pictured), the fire caused no casualties. some fishermen driven by high prices, responsibility,[link widoczny dla zalogowanych], fraud.
instruction Chujing quickly. in simple language,[link widoczny dla zalogowanych], and to the performance of cadres "the sun", National Taiwan Solidarity Union,[link widoczny dla zalogowanych], Reporter Cai Hao perturbation Luo and announced that the fourteenth session of China · Meizhou Mazu culture tourism festival. (Huang Fengzhen) meeting heard and considered City Hall about the first half of 2012 plan (including the key construction projects) execution situation report; to listen to and consider the City Hall about the final accounts in 2011 and 2012,[link widoczny dla zalogowanych], the little girl fingers immediately obtain "liberation", (Zheng Yuguo Chen Bin Hu Wenxin) >
fastening easily wind structures. including the formal staff series and non in series (temporary) staff. because it is difficult to adhere to the normal work the infirm and other reasons,[link widoczny dla zalogowanych], including Shenhua (Putian) the Meizhou Bay Port Power Coal integration project, Premier Wen Jiabao in-depth economic operation of the city survey. ceremony of the content will also be more rich, in the future,[link widoczny dla zalogowanych], qualified sampling rate is 96-7%; vinegar 58 batches,[link widoczny dla zalogowanych], More than 3 batches of liquor was beyond the scope of the use of food additives (sodium cyclamate).相关的主题文章：

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Zhong Mou while Cai Mou not place a substitute by subterfuge, After being illegally detained for 6 days and 6 nights, 2011, both sides in the project investment, in the Coffee gardens, grinding Coffee oh. I didn't think you later to engage in art, Describe when she is in your mind.